展览
EXHIBITION
白川个展——
虎的迷路
策展东谈主:李子健
艺术总监:滕青云
主理:三影堂厦门照相艺术中心
皇冠客服飞机:@seo3687延期:2023.09.23 - 10.29(周一闭馆)
你知道如果坚持健身,能让自己发生多大变化吗?锁定本期与“石油界”健身达人们一起感受“荷尔蒙”爆发的瞬间,动心的话就一起加入!
地址:厦门阛阓好意思区杏林湾营运中心2号楼裙楼三层
● Please scroll down for English
咱们可能若干皆有过访佛的履历,在某一个眨眼间忽然感受到老练的事物变得无比生分:约会上的欢声笑语酿成了不测想的杂音,老练的亲一又仿佛成为外东谈主;在相册中看到猜度之外的合影,仿佛我方的记念是一场骗局; 或者在梦里,意志到我方平稳于我方的虚幻。这些“局外东谈主”的技艺,或者在教导着咱们,由咱们老练的规章和感性所组成宇宙仿佛被咱们自己所拒却。
欧洲杯奥地利选自《始于爱情,终于疫情》系列
皇冠信用怎么开输赢This Animal Year Series
白川的这一系列作品《始于爱情,终于疫情》拍摄了12年,领先遴选虎头面具的原因也很肤浅,虎便是他的属相。这个凶煞的老虎面具伴随着他履历家庭变故,见证家乡的变化和行状的发展,以及目睹无数琐碎的平时片断。展览的主体即是由这一系列像片组成的记念长廊,莫得具体的技艺和东谈主物陈迹,就像咱们遽然堕入回忆时那般,过往的技艺马上地表示。
选自《始于爱情,终于疫情》系列
This Animal Year Series
zh皇冠体育博彩选自《始于爱情,终于疫情》系列
This Animal Year Series
在这些像片里,虎头多数由他捎带,偶而也会是拍摄现场中的别东谈主,虎头面具掩蔽了一切神采,岂论是在何种情境,横蛮的虎头东谈主老是烦懑地盯着镜头,时而举起手枪对向我方。这无疑成为了这一系列像片中抓续的刺点,将那些仅属于私东谈主的技艺,千里闷的社会庆典和哀痛的厚谊完全含糊。
澳门太阳城app咱们在像片中看到的,是一种令东谈主传颂的老练的生分感。家庭合影,约会像片,旅行眷顾,这些在这个时期的咱们皆广泛领有的像片,在白川的演绎下变得生分。像片中的带着虎头的东谈主似乎平稳于像片的时空除外,仿佛一个闯入的外东谈主,拒斥着规章和惯习,或是荫藏着被摄者的厚谊。从这个角度而言,我在白川作品里看到的,皇冠篮球投注是他对那些在他性掷中不可捉摸的客体或碰到的痴迷,并以照相的形态,去唤起他们的积极回复。
选自《始于爱情,终于疫情》系列
This Animal Year Series
选自《始于爱情,终于疫情》系列
This Animal Year Series
“咱们如故支离破碎,因而不可条目外东谈主交融于此,更不可追缠他们,而是将他们迎入怪怖之中,因为这种怪怖既属于他们又属于咱们。”克里斯蒂娃在《咱们自己的外东谈主》中征引弗洛伊德的叙述去形色主体与外东谈主碰到时的异样感受,这种生分的感受并非是因碰到外东谈主,而是从根蒂上,来自于咱们自己里面,那些避讳的,咱们关于自己的生分。在白川卓著一旬的照相迷路中,他呈现即是如斯的碰到,那些在生分和稔熟之间,迷东谈主的刺点。
● 文/李子健
博彩外在线艺术家
白 川
www.crownsportslivebet.com白川,照相师。
展览:5PRCITY, United Nude Miami,迈阿密,好意思国(2010);The Sixth International Month of Photography in Moscow: Photobiennale 2006,莫斯科,俄罗斯(2006);个东谈主展览《爱你比海深》,第二届连州国外照相年展,连州(2006);个东谈主展览《许竹》、《通谈》,第一届连州国外照相年展,连州(2005)。
Bai Chuan's Solo Exhibition -
Tiger, the Uncanny
Curator:Li Zijian
Art Director:Teng Qingyun
Organiser:Three Shadows Xiamen Photography Art Centre
Duration:Sep 23, 2023 - Oct 29, 2023
Venue:3rd Floor of Building 2, Xinglinwan Business Centre, Jimei District, Xiamen
We have all experienced moments where the familiar suddenly transforms into an overwhelming sense of uncanny strangeness. Laughter and merriment at parties can become meaningless noise, close friends and loved ones appear as strangers, and unexpected group photos in an album make one question the authenticity of his or her memories. These moments of feeling like an outsider are reminders that the world, constructed by the rules and rationale we are accustomed to, is somehow rejecting us.
选自《始于爱情,终于疫情》系列
This Animal Year Series
一场备受瞩目虚拟博彩皇冠举行,赌客们看好选手下注,比赛结果出乎意料,引起轰动。Over the course of 12 years, Bai Chuan created his series \"This Animal Year\". His initial choice of the tiger mask was quite simple – the tiger is his Chinese zodiac sign. This foreboding tiger mask accompanied him through the ups and downs of life, witnessing family upheavals, changes in his hometown, career developments, and countless mundane moments in daily life. The core of this exhibition is a memory corridor comprised of this series of photographs, devoid of specific timestamps or character clues. It's akin to suddenly getting lost in memories, with moments from the past randomly flooding in.
皇冠投注app选自《始于爱情,终于疫情》系列
This Animal Year Series
选自《始于爱情,终于疫情》系列
This Animal Year Series
In these photos, most often, it's Bai Chuan himself donning the tiger mask, while at times, others are in the midst of a photo shoot. The tiger mask obscures all facial expressions, and no matter the context, the fierce tiger-headed figure always gazes numbly into the camera, sometimes even pointing a gun towards herself or himself. Undoubtedly, this constant element has become a punctum throughout the series, negating the private moments, somber social rituals, and poignant emotions. What we see in these photos is a strangely familiar yet surprising sense of uncanny strangeness. Family portraits, party snapshots, travel souvenirs – the photos that many of us possess abundantly in this era all become unfamiliar under Bai Chuan's interpretation. The tiger-headed individuals in the photos seem detached from the time and space within the images, almost like intruders rejecting norms and customs, or concealing the emotions of those being photographed. From this perspective, what I discern in Bai Chuan's work is his fascination with objects or encounters that elude his grasp in life, and his endeavor to evoke their positive responses through photography.
选自《始于爱情,终于疫情》系列
This Animal Year Series
\"Freud brings us the courage to call ourselves disintegrated in order not to integrate foreigners and even less so to hunt them down, but rather to welcome them to that uncanny strangeness, which is as much theirs as it is ours.\" As Julia Kristeva quote Freud in \"Strangers to Ourselves\" when the subject encounters strangers, the feeling of strangeness doesn't stem from the encounter with others but fundamentally arises from within ourselves, from those concealed aspects of ourselves that remain unfamiliar. Throughout Bai Chuan's decade-long photographic journey, he indeed presents the encounters of this nature - those punctum between the unfamiliar and the familiar.
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